In the last month, I spent time with two younger women, both of whom had just released their first book. Sarah and Andrea are both fine writers whom I expect will continue to write and publish books. In the short time I had with each of them, I found myself dumping all my writing and marketing advice, talking about websites, blogging, Facebook, twitter. But I forgot to say the most important thing of all: honor your obscurity.
Very few young writers, musicians, artists value their obscurity. For good reason. We know if we’re to be published in any form, we need an audience, a sizeable audience. We know that most of the time we have to find that audience before that first book contract even lands on our desk. And once it does, and the book is out, we’re tasked to keep racking up bigger numbers. But how do we catch the eye and ear of a world that so often chooses the flippant, the crude, the gaudy spectacle over the good, the authentic, and the true? If we’re the praying sort, we may resort to prayer, remembering the words another writer made famous a few years ago,
“O, that you would bless me and enlarge my territory! Let your hand be with me, and keep me from harm so that I will be free from pain.”
(Oh, dear Jabez, I want to say. How did you get away with that prayer?)
But we do it too, I suspect. The artists’ version would go something like, “O, that you would bless me and enlarge my platform, increase my followers, expand my twitter peeps and keep me from publishing harm so I will be famous, free from the pain of falling out-of-print.”
I can write this prayer because I know these desires. An hour ago I was on a nationally syndicated radio show, and I find myself, now, against my better will, glued to numbers, trying to measure “impact.” While guiltily number-stalking, a stranger writes me on Facebook immediately after the broadcast and asks how he can become a writer and speaker, like me. (He’s in his twenties and he hasn‘t written anything yet . . .) Someone else writes to ask me how to build a fan base for her blog.
I do have advice: if you want others to read you and listen to you, you must listen to others. Do for others what you want them to do for you. That will not make you famous; that will make you better informed and more humble.
And second, fame is not what you think. Admittedly, I am not the best source here. My moments of “fame” are modest and sporadic. But I still know this: it isn’t what you think. It’s often over in a moment. It brings more responsibility than freedom. And if you’re not careful, it can pollute or paralyze your writing. I have a friend whose first book shot to the New York Times bestseller list. His agent, his readers, his global fan base now hold their collective breath for his next book. “How do I write under this weight?” he asks me. He has so many others he must now heed and please.
“Honor your obscurity” is another way of echoing Bill Roorhbach’s charge to “honor your apprenticeship.” Value these months, years of laboring toward your best work with fewer listening in than you would like. This quiet is your wilderness, your blessing. Here you will sharpen your art. You will lean closer to the sounds around you, for the fragile people who haunt the forests you watch, for the small voice that whispers names you didn’t know.
Enjoy the purity of your efforts, making art and worlds and essays out of the sheer love of words, of theatre, of longing and of hope. Enjoy it now before a woman or a publisher sits down beside you filling your notebook with a thousand necessary tasks, few of which have much to do with why you began writing in the first place.
Finally, what do you imagine fame will bring you? For me (and for many writers I know) I hope mostly to be able to keep on writing, to keep using “that talent which is death in me to hide,” as John Milton writes. If you’re doing this now, pouring life into the truest sentences you can make, you’re already famous.
